What I love about this fantastic miniature is – apart from the extraordinary skill and aesthetic sensitivity – the fact that the scene it depicts, a Christmas mass is essentially the same, 700 years later, as is happening right now, all over the planet. Technically it’s a different form, in the 14th century it would have been the pre-Tridentine Roman rite, but it’s basically the same, in all honesty.
This part of Les Tres Riches Heures is regarded as definitely being by the Limbourg Brothers. The delicate tracery and expressions on the faces fit with that – there’s a bit of chat and consternation in the congregation. Followed by a great version of In The Bleak Midwinter (genuinely)