Often there is a parallel between what the Limbourgs are depicting in their monthly cycle and what goes on in the countryside of my part of northern Europe. Not this month, due to our dearth of viniculture (actually there is a tiny bit). As always with Jean de Berry, he’s happy to show the rhythm of the seasons but what he really seems to like is showing off his real estate. In this case the Château de Saumur, which is satisyingly still with us.
Saumur is a big wine growing area on the Loire. The chateau sits more above the town the in the painting, but it depends a bit on the angle from which you’re viewing it. The building is remarkably unchanged, really
This is one painting in the series where the historians are pretty sure that given the stylistic differences, the upper two thirds was a Limbourg job, while the bottom third was completed much later by Colombe. It fits, to my untrained eye. Art historian François Cali described this scene as “These extravagant towers are a dream landscape with constellations of canopies, pinnacles, gables and arrows, with their crockets fluttering against the light”, but as you can see from the above picture, the painting is hardly exaggerated, the architects for Henry II of England and Philip II of France who owned the building in the decades preceding the painting weren’t hanging back. It was actually begun more than 400 years earlier – built to last.
The painting has two nice further details: bottom left is an exhausted looking pregnant lady, and in the middle foreground is possibly the first depiction of that well known artistic motif, the ‘builder’s bum’.